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Video Editing Lead
Full-Time | Location Flexible | Fully Remote Craft Scroll-Stopping Content. Grow the Audience. Drive Real Results. Are you obsessed with storytelling, pacing, and creating videos that people can’t stop watching?
Senior Producer / Director
An innovative and growing media company is looking for a creative professional to lead our production team as Senior Producer/Director. A great opportunity to work directly with the Executive Producer
Inside the Realities of Motherhood as a Cinematographer
Balancing the demands of cinematography with motherhood may seem impossible, but a growing number of top female DPs are proving it can be done— each in their own way. In
Paolo Bertolin – Artistic Director: NZ International Film Festival
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AI video becomes more convincing, rattling creative industry
Gone are the days of six-fingered hands or distorted faces — AI-generated video is becoming increasingly convincing, attracting Hollywood, artists, and advertisers, while shaking the foundations of the creative industry.
Video Editing Lead
Full-Time | Location Flexible | Fully Remote Craft Scroll-Stopping Content. Grow the Audience. Drive Real Results. Are you obsessed with storytelling, pacing, and creating videos that people can’t stop watching?
Senior Producer / Director
An innovative and growing media company is looking for a creative professional to lead our production team as Senior Producer/Director. A great opportunity to work directly with the Executive Producer
Inside the Realities of Motherhood as a Cinematographer
Balancing the demands of cinematography with motherhood may seem impossible, but a growing number of top female DPs are proving it can be done— each in their own way. In
Paolo Bertolin – Artistic Director: NZ International Film Festival
You have to be a pro user to view this. Upgrade your membership or Login here. Login
AI video becomes more convincing, rattling creative industry
Gone are the days of six-fingered hands or distorted faces — AI-generated video is becoming increasingly convincing, attracting Hollywood, artists, and advertisers, while shaking the foundations of the creative industry.
NZ On Screen – Tuesday Spotlight: GOOD TASTE MADE BAD TASTE
Peter Jackson’s splatter classic was made on weekends with mates, homemade rigs and buckets of fake blood. This rare making-of documentary captures the chaos and creativity behind the film that
California Raises Film Tax Credits – But Is It Too Late?
Filmmakers don’t have it easy these days. Between fighting for visibility in a world shaped by creators, short-form content, and fluctuating algorithms, and navigating the aftermath of strikes and the growing
NZ Box Office report: 6 July 2025
Dinosaurs still have legs, it seems. Opening on 109 screens, Jurassic World Rebirth won the weekend with earnings of $1,658,708. Despite adding an extra couple of screens to play on
Studio Technician – Sound
School of Creative and Digital Arts – Digital Screen Located in Ōtautahi | Christchurch, Aotearoa | New Zealand Full-time 37.5 hours per week (1.0 FTE) Continuing (permanent) position Generous annual
Studio Technician – Moving Image and VP
School of Creative and Digital Arts – Digital Screen Located in Ōtautahi | Christchurch, Aotearoa | New Zealand Full-time 37.5 hours per week (1.0 FTE) Continuing (permanent) position Generous annual
NZ On Screen – Tuesday Spotlight: GOOD TASTE MADE BAD TASTE
Peter Jackson’s splatter classic was made on weekends with mates, homemade rigs and buckets of fake blood. This rare making-of documentary captures the chaos and creativity behind the film that
California Raises Film Tax Credits – But Is It Too Late?
Filmmakers don’t have it easy these days. Between fighting for visibility in a world shaped by creators, short-form content, and fluctuating algorithms, and navigating the aftermath of strikes and the growing
NZ Box Office report: 6 July 2025
Dinosaurs still have legs, it seems. Opening on 109 screens, Jurassic World Rebirth won the weekend with earnings of $1,658,708. Despite adding an extra couple of screens to play on
Studio Technician – Sound
School of Creative and Digital Arts – Digital Screen Located in Ōtautahi | Christchurch, Aotearoa | New Zealand Full-time 37.5 hours per week (1.0 FTE) Continuing (permanent) position Generous annual
Studio Technician – Moving Image and VP
School of Creative and Digital Arts – Digital Screen Located in Ōtautahi | Christchurch, Aotearoa | New Zealand Full-time 37.5 hours per week (1.0 FTE) Continuing (permanent) position Generous annual
The birth of the Wests: How Outrageous Fortune came to be
This story was originally published on The Spinoff. Rachel Lang was listening to National Radio in the shower one morning in 2003 when a news report came over the airwaves that
Buzz, Brains and Backstories: Big Screen Symposium 2025 Brings the Industry Together
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Ari Aster Talks “Very Frightening” Future Of AI As Some Treat The Tech “As A God”
No stranger to building a bone-chilling horror, Ari Aster is sharing one of his greatest fears for Hollywood. The Eddington writer/director recently admitted he has “a lot of fear” regarding the growing use of AI in the
China Pressures Doc Edge to Pull Filipino Film on South China Sea
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Mighty Indeed is indeed mighty
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The birth of the Wests: How Outrageous Fortune came to be
This story was originally published on The Spinoff. Rachel Lang was listening to National Radio in the shower one morning in 2003 when a news report came over the airwaves
Buzz, Brains and Backstories: Big Screen Symposium 2025 Brings the Industry Together
You have to have a ShowNews membership to view this. Choose a membership or Login here. Login
Ari Aster Talks “Very Frightening” Future Of AI As Some Treat The Tech “As A God”
No stranger to building a bone-chilling horror, Ari Aster is sharing one of his greatest fears for Hollywood. The Eddington writer/director recently admitted he has “a lot of fear” regarding the growing use of AI in
China Pressures Doc Edge to Pull Filipino Film on South China Sea
You have to be a pro user to view this. Upgrade your membership or Login here. Login
Mighty Indeed is indeed mighty
You have to have a ShowNews membership to view this. Choose a membership or Login here. Login
Counting up
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UK Broadcasters’ YouTube Strategies are Delivering Significant Reach and Viewership
UK broadcasters have started more wholly embracing YouTube as a distribution platform in the last couple of years. Channel 4 struck a deal to start running full episodes of some
U.K. Government Formally Rejects Streaming Levy
The U.K. government has firmly rejected calls for a 5% levy on streaming platforms and mandatory IP retention rules, instead emphasizing the benefits of a “mixed ecology” that welcomes both
Great Southern Television founder and owner Phil Smith on The Casketeers, Who Wants to be a Millionaire? and other hit shows
Phil Smith knew that as soon as he met Francis and Kaiora Tipene, he had two massive talents waiting to be unveiled on the small screen. But it took almost
Australian Post-Production Pioneer Cutting Edge Collapses After 27 Years
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Counting up
You have to be a pro user to view this. Upgrade your membership or Login here. Login
UK Broadcasters’ YouTube Strategies are Delivering Significant Reach and Viewership
UK broadcasters have started more wholly embracing YouTube as a distribution platform in the last couple of years. Channel 4 struck a deal to start running full episodes of some
U.K. Government Formally Rejects Streaming Levy
The U.K. government has firmly rejected calls for a 5% levy on streaming platforms and mandatory IP retention rules, instead emphasizing the benefits of a “mixed ecology” that welcomes both
Great Southern Television founder and owner Phil Smith on The Casketeers, Who Wants to be a Millionaire? and other hit shows
Phil Smith knew that as soon as he met Francis and Kaiora Tipene, he had two massive talents waiting to be unveiled on the small screen. But it took almost
Australian Post-Production Pioneer Cutting Edge Collapses After 27 Years
You have to be a pro user to view this. Upgrade your membership or Login here. Login
