Department

Who should own the intellectual property (IP) of a creative project, and who has the right to earn profits from it?  Those were some of the questions tabled this afternoon on the first day of AGORA series — the Thessaloniki…

Artificial intelligence can do incredibly wonderful tricks for filmmakers that can make the process of getting the film done so much easier and without breaking the bank. But, like any great new thing, there are some dubious elements to AI…

For decades, New Zealand cinema has been defined by three words, conjured up by actor Sam Neill during his time shooting Jane Campion’s 1992 film The Piano – “beautiful, gothic, unique”. These badges of distinction apply to New Zealand’s cinema…

As more than a thousand striking actors and supporters united Wednesday at a massive rally in Los Angeles, the performers union, SAG-AFTRA, and the major Hollywood studios appeared to make progress on key issues and inch closer to a deal.…

Australia’s boom in scripted film and TV production has continued, with local and foreign film and TV spending $2.34 billion on comedy, drama and children’s content in 2022-23. Though down marginally on the record $2.43 billion spent a year earlier,…