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Is New Zealand cinema at a crossroads?

For decades, New Zealand cinema has been defined by three words, conjured up by actor Sam Neill during his time shooting Jane Campion’s 1992 film The Piano – “beautiful, gothic, unique”. These badges of distinction apply to New Zealand’s cinema…
Read More »

Is New Zealand cinema at a crossroads?

For decades, New Zealand cinema has been defined by three words, conjured up by actor Sam Neill during his time shooting Jane Campion’s 1992 film The Piano – “beautiful, gothic, unique”. These badges of distinction apply to New Zealand’s cinema…
Read More »
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