For more than a dozen years, buzzy American studio A24 has been saying yes to some hugely audacious – crazy even – ideas for movies.
A newly dumped man has to find a new partner in 45 days or be turned into a lobster. That was then little-known Greek director Yorgos Lanthimos’ surreal art-house comedy, The Lobster, which he made before mainstream success with The Favourite and Poor Things.
